TRY
BEFORE YOU BUY
Colour correspondences
The colour of the sea varies from a dull leaden grey in
gloomy weather, or from the yellow or brown of a muddy river mouth, to a startling
blue or green. Off parts of the coast, it may have a milky appearance from clay
deposits and yet seen on a bright summer’s day from the cliff top it may almost
be a rich purple – the ‘wine-coloured sea’ of the Greek poets. The colour,
however, is controlled by:
• the particles that float in it;
• the angle from which it is viewed;
• the brightness of the day;
• the reflection of clouds or adjacent cliffs;
• and, in the shallows, by the colour of the sea-floor.
Here, light shining through a wave crest gives a
momentary glimpse of translucent green, while the billows that break on a reef
are coloured by the reflection of the marine life that lives on the rocks. From
Sea &
Seashore we
learn that water has a slightly bluish tint, which intercepts the reds and
yellows of daylight much more quickly than the other colours, so that only the
blues and greens can penetrate to any depth below the surface; a white object
sinking into the water turns blue before passing out of sight. Finely divided
drops of water always look intensely white, so that the spray from a breaking
wave is literally whiter than snow; compared with the spray, indeed, snow seems
almost drab. In the wake left by a moving vessel the white foam contrasts with
the colours of the undisturbed water, and still more strikingly with the
emerald green or azure blue of the water churned up from below.
So, sea-witches working with the Element of Water can choose whichever colour
s/he feels most appropriate for the beach on which they work. The colour
correspondences for water can therefore range from pure white to muddy brown,
with every shade of blue in between. And if we turn to the Table of Magical
Correspondences given in Liber
777 – we
find that the colours for Water are also far ranging – from deep blue to white, flecked
purple, like mother of pearl; deep olive green and sea green.
Similarly, here at the water’s edge the Element of Earth also runs the whole gamut
of colour combinations and textures, depending on the type of beach and its
location. All around the coastline there are sands and shingle of every
imaginable hue – purple jasper, green
schist and serpentine, red and gold sand, red sandstone, yellow limestone, rock
crystal, agate and carnelian –
far more
in fact, than the unadventurous indigo; black rayed with blue, blue-black and
black as given in the Table of Correspondences.
To represent the Elemental of Air, what could be more fitting than a sea gull in flight,
its white and blue-grey plumage contrasting with the yellow of its bill and
legs, against the clear blue of the sky. Not surprising that the Table of
Correspondences gives us bright pale yellow; emerald, flecked with gold; blue, emerald
green; and sky blue!
And finally, what can we find on the beach to represent
the Elemental
of Fire?
The Table of Correspondences gives us glowing orange-scarlet; vermilion,
flecked crimson and emerald; scarlet flecked with gold, so what else can there
be except the fiery sunset that reflects all these colours as the sun sinks
down into the sea on the distant horizon.
A single, or combination of any of these colours, can
be plaited or woven together to create the only shop-bought ‘tool’ (with the except
of a pen-knife) in the sea-witch’s armoury – the Girdle or Cord.
This extract
is taken from Traditional Witchcraft for
the Seashore – published by Moon Books and available from www.moon-books.net
or from Amazon in paperback or e-book format.

A wonderful view of the esoteric and the arcane and yet a scholarly work... Compelling
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